How important is that objective.
´ë»óÀÌ ¾ó¸¶³ª Áß¿äÇÑ°¡
KEATING'S CLASSROOM - DAY
Å°ÆÃÀÇ ±³½Ç. ³·
KEATING: Gentlemen, open your text to page twenty-one of the introduction. Mr. Perry, will you read the opening paragraph of the preface, entitled "Understanding Poetry"?
NEIL: "Understanding Poetry," by Dr. J. Evans Pritchard, Ph.D. To fully understand poetry, we must first be fluent with its meter, rhyme, and figures of speech. Then ask two questions: One, how artfully has the objective of the poem been rendered, and two, how important is that objective. Question one rates the poem's perfection, question two rates its importance. And once these questions have been answered, determining a poem's greatness becomes a relatively simple matter.
Keating gets up from his desk and prepares to draw on the chalkboard.
Å°ÆÃ: ¿©·¯ºÐ, Ã¥ÀÇ ¼¹® 21ÆäÀÌÁö¸¦ Æìµµ·Ï Çضó. Æ丮, "½ÃÀÇ ÀÌÇØ"¶ó°í Á¦¸ñÀÌ ºÙ¿©Áø ¼¹®ÀÇ Ã¹ ´Ü¶ôÀ» ÀÐ¾î º¼·¡?
´Ò: "½ÃÀÇ ÀÌÇØ". J. ¿¡¹Ý½º ÇÁ¸®Â÷µå ¹Ú»ç ÁöÀ½. ½Ã¸¦ ¿ÏÀüÈ÷ ÀÌÇØÇÏ·Á¸é, ¸ÕÀú ¿îÀ²À̳ª À½·ü, ±×¸®°í ¼ö»ç¹ý°ú °°Àº °Íµé¿¡ Àͼ÷Çؾ߸¸ ÇÑ´Ù. ±×¸®°í ³ª¼ µÎ °¡Áö Áú¹®À» ÇØ º»´Ù. ù°, ½ÃÀÇ ´ë»óÀÌ ¾ó¸¶³ª ¿¹¼úÀûÀ¸·Î Ç¥ÇöµÇ°í Àִ°¡? µÑ°, ±× ´ë»óÀÌ ¾ó¸¶³ª Áß¿äÇÑ°¡? ù ¹ø° Áú¹®Àº ½ÃÀÇ ¿Ï¼ºµµ¸¦ ÃøÁ¤Çϸç, µÎ ¹ø° Áú¹®Àº ½ÃÀÇ Áß¿äµµ¸¦ ÃøÁ¤ÇÑ´Ù. ÀÏ´Ü ÀÌ Áú¹®µé¿¡ ´äÀ» ÇÑ´Ù¸é, ÇÑ ½ÃÀÇ À§´ë¼ºÀ» ÆÇ´ÜÇÏ´Â °ÍÀº ºñ±³Àû °£´ÜÇÑ ÀÏÀÌ µÈ´Ù.
Å°ÆÃÀº Ã¥»ó¿¡¼ ÀϾ Ä¥ÆÇ¿¡ ±×¸² ±×¸± Áغñ¸¦ ÇÑ´Ù.
NEIL: If the poem's score for perfection is plotted along the horizontal of a graph, and its importance is plotted on the vertical, then calculating the total area of the poem yields the measure of its greatness.
´Ò: ¸¸¾à ½ÃÀÇ ¿Ï¼ºµµ Á¡¼ö°¡ ±×·¡ÇÁÀÇ ¼öÆò¼±»ó¿¡ ±×·ÁÁö°í, ½ÃÀÇ Áß¿äµµ Á¡¼ö°¡ ¼öÁ÷¼± »ó¿¡ ±×·ÁÁö¸é, ½ÃÀÇ Àüü ¿µ¿ª¿¡ ´ëÇÑ °è»êÀÌ °ð ±× ½ÃÀÇ À§´ëÇÔÀÇ Ã´µµ°¡ µÈ´Ù.
Keating draws a corresponding graph on the board and the students dutifully copy it down.
Å°ÆÃÀÌ Ä¥ÆÇ¿¡ (´ÒÀÌ Àаí ÀÖ´Â ºÎºÐ¿¡) »óÀÀÇÏ´Â ±×·¡ÇÁ¸¦ ±×¸®°í ÇлýµéÀº ±×°ÍÀ» Ãæ½ÇÇÏ°Ô º£²¸ Àû´Â´Ù.
Key Words
* preface: an explanatory statement at the beginning of a book
¼¹®
ex) I began by reading the preface.(³ª´Â ¼¹®À» Àд ÀϺÎÅÍ ½ÃÀÛÇß´Ù.)
* entitle: to give a title or name to (a book, etc)
(Ưº°ÇÑ ÄªÈ£¡¤¸íĪÀ¸·Î) ºÎ¸£´Ù, ĪÇÏ´Ù
ex) She read a poem entitled 'The Apple Tree'
(±×³à´Â '»ç°ú³ª¹«'¶ó´Â Á¦¸ñÀÇ ½Ã¸¦ Àоú´Ù.)
* poetry: the art of composing poems
½Ã
ex) His poetry is rich in imagery.
(±×ÀÇ ½Ã´Â ºñÀ¯Àû Ç¥ÇöÀÌ Ç³ºÎÇÏ´Ù.)
* meter
¿îÀ²
ex) a meter with six beats to a line(ÇÑ Çà¿¡ ¿©¼¸ ¹ÚÀÚÀÇ ¿îÀ²)
* rhyme: a pattern of words which have the same final sounds at the ends of
lines in a poem
À½·ü
ex) 'Gift' rhymes with 'lift'.('gift'¿Í 'lift'´Â ¿îÀÌ ¸Â´Â´Ù.)
* objective: a thing aimed at or wished for; a goal
¸ñÀû
ex) Bill's idea were out of tune with the company's objectives.
(ºôÀÇ ¾ÆÀ̵ð¾î´Â ȸ»çÀÇ ¸ñÀû°ú ¸ÂÁö ¾Ê¾Ò´Ù.)
* render: to cause something to be or become
Á¦°øÇÏ´Ù
ex) They rendered help to the disaster victims.
(±×µéÀº Àç³ ÇÇÇØÀڵ鿡°Ô µµ¿òÀ» º£Ç®¾ú´Ù.)
* rate: to give (a value) to something
µî±ÞÀ» °¡Áö´Ù
ex) That task rates low on my priority list.
(±× ÀÏÀº ³» ¿ì¼± ¼øÀ§ ¸®½ºÆ®¿¡¼ ÇÏÀ§¿¡ ¸Å°Ü Áø´Ù.)
Çؼ³
Å°ÆÃÀÇ µÎ ¹ø° ¸í°ÀÇ Àå¸éÀÌ´Ù. ±ÍÁ· ±â¼÷»ç Çб³¿¡ À¯ÇÐ ¿Ô´Ù°í »ý°¢ÇÏ°í µé¾îº¸ÀÚ.
Mr. Perry, will you read the opening paragraph of the preface, entitled "Understanding Poetry"?
ÇöÁö ¿µ¾î ¼ö¾÷ ½Ã°£¿¡ Çлý¿¡°Ô '¼Ò¸® ³»¼ Àбâ'¸¦ ½ÃÅ°´Â °ÍÀº ÁÖ¸ñÇÒ¸¸ÇÏ´Ù. '¼Ò¸® ³»¼ ³¶µ¶Çϱâ'´Â µ¶ÇØ, ½ºÇÇÅ·, ¸®½º´×¿¡ ¸ðµÎ È¿°ú°¡ ÁÁÀº ¹æ¹ýÀÌ´Ù. ƯÈ÷ ¸®½º´× ÇнÀÇÒ ¶§ ¹Þ¾Æ¾²±â º¸´Ù ³¶µ¶ÇϱⰡ ÈξÀ È¿°ú°¡ ÁÁ´Ù°í ¾Ë·ÁÁ® ÀÖ´Ù. ¿©·¯ºÐµµ Æ丮ó·³ ¿µ¾îÃ¥À» µé°í ¼Ò¸® ³»¼ Àо¶ó.
To fully understand poetry, we must first be fluent with its meter, rhyme, and figures of speech.
½Ã¿¡ ´ëÇÑ ¹Ì±¹ ±³°ú¼¸¦ »ì¦ µé¿©´Ùº¼ ¼ö ÀÖ´Ù. Meter(¿îÀ²), rhyme(À½·ü), figure(¼ö»ç¹ý)Àº ±³¾çÀ¸·Î ¾Ë¾ÆµÎ¸é ÁÁÀº ´Ü¾îµéÀÌ´Ù. ÀÌÁß¿¡¼ figure´Â ´ÙÀǾî·Î '¼ýÀÚ, »ç¶÷ÀÇ ¸ð¾ç, µµÇØ' µîÀ¸·Î »ç¿ëµÇ¹Ç·Î Á¶½ÉÇÏÀÚ. ex) Does it say how they came up with that figure?(±× ¼öÄ¡°¡ ¾î¶»°Ô ³ª¿Â °ÇÁö ÀûÇô ÀÖ¾î¿ä?) The figure disappeared immediately.(±× »ç¶÷ÀÇ ¸ð½ÀÀº °ð »ç¶óÁ³´Ù.) The figure on page 22 shows a political map of Africa.(22ÂÊÀÇ µµÇØ´Â ¾ÆÇÁ¸®Ä«ÀÇ Á¤Ä¡Àû Áöµµ¸¦ º¸¿©ÁØ´Ù.)
Keating gets up from his desk and prepares to draw on the chalkboard.
±³°ú¼¸¦ ÀÐÈù ÈÄ Å°Æà ¼±»ýÀº Çʱ⸦ ÇÏ´Â Æò¹üÇÑ µ¿ÀÛÀ» º¸ÀδÙ. ¾ÆÁ÷±îÁö Ưº°ÇÑ ¸ð½ÀÀº ¾ø´Ù. ±×·¯³ª ÀÌÁ¦ºÎÅÍ »ó½ÄÀ» ¶Ù¾î³Ñ´Â Å°Æø¸ÀÇ °ÀÇ°¡ ½ÃÀ۵ȴÙ.
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