Now, you don¡¯t get away that easy.
ÀÌÁ¦, ±×·¸°Ô ½±°Ô ±×¸¸ µÎ¸é ¾ÈµÇÁö.
Todd goes to return to his seat but Keating stops him.
Åäµå°¡ µé¾î°¡ ÀÚ¸®¿¡ ¾ÉÀ¸·Á ÇÏÀÚ, Å°ÆÃÀÌ Á¦ÁöÇÑ´Ù.
KEATING: Now, you don¡¯t get away that easy.
Å°ÆÃ: ÀÌÁ¦, ±×·¸°Ô ½±°Ô ±×¸¸ µÎ¸é ¾ÈµÇÁö.
Keating turns Todd around and points out a picture on the wall.
Å°ÆÃÀÌ Åäµå¸¦ µ¹·Á¼¼¿ö º®¿¡ °É·ÁÀÖ´Â ÃÊ»óȸ¦ °¡¸®Å²´Ù.
KEATING: The picture of Uncle Walt up there. What does he remind you of? Don¡¯t think. Answer. Go on.
Keating begins to circle around Todd.
Å°ÆÃ: Àú±â ¿ùÆ® ¾ÆÀú¾¾ »çÁøÀÌ ÀÖÁö. Àú°É º¸¸é ¹¹°¡ »ý°¢³ª´Ï? »ý°¢ÇÏÁö ¸»°í, ´äÇϰŶó. ¾î¼.
Å°ÆÃÀÌ Åäµå¸¦ Áß½ÉÀ¸·Î µ¹±â ½ÃÀÛÇÑ´Ù.
TODD: A m-m-madman.
KEATING: What kind of madman? Don¡¯t think about it. Just answer again.
TODD: A c-crazy madman.
KEATING: No, you can do better than that. Free up your mind. Use your imagination. Say the first thing that pops into your head, even if it¡¯s total gibberish. Go on, go on.
TODD: Uh, uh, a sweaty-toothed madman.
KEATING: Good God, boy, there¡¯s a poet in you, after all. There, close your eyes. Close your eyes. Close ¡®em. Now, describe what you see.
Åäµå: ¹Ì...Ä£ »ç¶÷ÀÌ¿ä.
Å°ÆÃ: ¾î¶² Á¾·ùÀÇ ±¤ÀÎÀÌÁö? »ý°¢ÇÏÁö ¸»°í, ±×³É ´äÇØ º¸·Å.
Åäµå: Á¤½Å³ª°£ ¹ÌÄ£ »ç¶÷ÀÌ¿ä.
Å°ÆÃ: ¾Æ´ÏÁö, ³Ê´Â Á»´õ Àß Ç¥ÇöÇÒ ¼ö ÀÖ¾î. ³× ¸¶À½À» ÀÚÀ¯·Ó°Ô ÇϰŶó. »ó»ó·ÂÀ» ¹ßÈÖÇØ. µü ÇÏ°í ¶°¿À¸£´Â ù ¹ø° °ÍÀ» ¸»Çغ¸´Â °Å¾ß, Ⱦ¼³¼ö¼³ÀÌ¶óµµ ±¦Âú¾Æ. ÀÚ, ¾î¼.
Åäµå: ¾î, ¶¡¿¡ Á¥Àº À̸¦ µå·¯³½ ±¤ÀÎÀÌ¿ä.
Å°ÆÃ: ÁÁ¾Æ, ¾î·µç ³× ¾È¿¡µµ ½ÃÀÎÀÇ ±âÁúÀÌ ÀÖ´Â °Å¾ß. ÀÚ, ´«À» °¨¾Æ¶ó. ´«À» °¨¾Æ. ´«À» °¨°í, ÀÌÁ¦ ³×°¡ º¸´Â °ÍÀ» ¸»ÇغÁ .
Keating puts his hands over Todd¡¯s eyes and they begin to slowly spin around.
Å°ÆÃÀÌ ÅäµåÀÇ ´«À» ¼ÕÀ¸·Î °¡¸®°í, õõÈ÷ Åäµå¿Í Å°ÆÃÀÌ µ¹±â ½ÃÀÛÇÑ´Ù.
TODD: Uh, I-I close my eyes.
KEATING: Yes?
TODD: Uh, and this image floats beside me.
KEATING: A sweaty-toothed madman?
TODD: A sweaty-toothed madman with a stare that pounds my brain.
KEATING: Oh, that¡¯s excellent. Now, give him action. Make him do something.
TODD: H-His hands reach out and choke me.
KEATING: That¡¯s it. Wonderful. Wonderful.
Åäµå: ¾î, ´«...À» °¨¾Ò¾î¿ä.
Å°ÆÃ: ±×·¡?
Åäµå: ¾î, ±×¸®°í ¾î¶² ±×¸²ÀÌ ¶°¿Ã¶ó¿ä.
Å°ÆÃ: ¶¡¿¡ Á¥Àº À̸¦ µå·¯³½ ¹ÌÄ£ ³²ÀÚ ¸»ÀÌ´Ï?
Åäµå: ¶¡¿¡ Á¥Àº À̸¦ µå·¯³½ ¹ÌÄ£ ³²ÀÚÀÇ ½Ã¼±ÀÌ ³» ³ú¸®¿¡ ¹ÚÈü´Ï´Ù.
Å°ÆÃ: ¿À, ÈǸ¢Çѵ¥. ÀÌÁ¦, ¹«½¼ ÇൿÀ» ÇغÁ. ±×·Î ÇÏ¿©±Ý ¾î¶² ÇൿÀ» Çϵµ·Ï ÇغÁ.
Åäµå: ±×°¡ ¼ÕÀ» »¸¾î¼ Á¦ ¸ñÀ» Á¶¸¨´Ï´Ù.
Å°ÆÃ: ¹Ù·Î ±×°Å¾ß. ÈǸ¢ÇÏ´Ù, ÈǸ¢ÇØ.
Key words
* imagination: the ability to form, or the process of forming, mental images of
things, people, events »ó»ó·Â
ex) The book fired his imagination.(±× Ã¥Àº ±×ÀÇ »ó»ó·Â¿¡ ºÒÀ» ºÙ¿´´Ù.)
* gibberish: speech that is meaning less or difficult to understand
Ⱦ¼³¼ö¼³
ex) Don't talk gibberish!(Ⱦ¼³¼ö¼³ÇÏÁö ¸¶!)
* choke: to stop or interfere with breathing in this way
¼û¸·È÷´Ù, Áú½ÄÇÏ´Ù
ex) The fumes almost choked me.(±× ¿¬±â¿¡ ³ª´Â °ÅÀÇ Áú½Ä»çÇÒ »·Çß´Ù.)
Çؼ³
Å°ÆÃÀÌ Åäµå¿¡°Ô¼ ¸ÚÁø ½Ã¸¦ »Ì¾Æ³»´Â Àå¸éÀÌ´Ù. Çغ¸±â Àü±îÁø ÀÚ½ÅÀÌ ¹«¾ùÀ» ÇÒ ¼ö ÀÖ´ÂÁö ¸ð¸¦ ¼ö ÀÖ´Ù´Â Á¡À» º¸¿©ÁØ´Ù. Å°ÆÃÀÇ ¸í´ë»ç¸¦ Á¤¸®ÇÑ´Ù. Å« ¼Ò¸®·Î µû¶ó ÀÐ°í ¿Ü¿ö¼ »ç¿ëÇÏ¸é ¿µ¾î·Î ¿µ¾î ¼ö¾÷ÇÒ ¼ö ÀÖ´Â ±³»çµµ µÉ ¼ö ÀÖ´Ù. Now, you don¡¯t get away that easy.(ÀÌÁ¦, ±×·¸°Ô ½±°Ô ±×¸¸ µÎ¸é ¾ÈµÇÁö.) Free up your mind.(³× ¸¶À½À» ÀÚÀ¯·Ó°Ô ÇϰŶó) Use your imagination.(»ó»ó·ÂÀ» ¹ßÈÖÇØ.) Now, describe what you see.(ÀÌÁ¦ º¸´Â °ÍÀ» ¸»ÇØ ºÁ) Åä·Ð½Ä ¼ö¾÷Àº º»¹®Ã³·³ Çлý°ú ¼±»ýÀÌ ºê·¹ÀνºÅä¹Ö(»ý°¢³ª´Â´ë·Î ¸»ÇÏ°Ô ÇÔ)À» °ÅÃÄ ±×¸²À̳ª »óȲÀ» ¹¦»çÇϵíÀÌ ¸»ÇØ º¸°í(descriptive statement) âÀÇÀû(creative), ³í¸®Àû(logical), ºñÆÇÀû(critical)À¸·Î ÀÇ°ßÀ» ÁÖ°í¹ÞÀ¸¸é µÈ´Ù. Å°Æà ¼±»ý ´öºÐ¿¡ Åäµå´Â ¸ÚÁø ½ÃÀÎÀÌ µÇ¾î°£´Ù. up¸¦ »ç¿ëÇÏ¸é °¨Ä¥¸À ³ª´Â Ç¥ÇöÀ» ÇÒ ¼ö ÀÖ´Ù. ÅäÀÍ ½ÃÇè ûÃë Áö½Ã»çÇ׿¡³ª ³ª¿À´Â Listen carefully(Á¶½É½º·´°Ô µéÀ¸¼¼¿ä) º¸´Ù Listen up(ÁÖ¸ñÇؼ µéÀ¸¼¼¿ä)ÀÌ ½Ç»ýÈ°¿¡¼ ´õ ¸¹ÀÌ ¾²ÀÌ°í Speak upÀº ¡®Åͳõ°í ¸»Çϼ¼¿ä¡¯°¡ µÈ´Ù. ¿µ¾î ¸»Çϱ⠿¬½À¿¡¼ Áß¿äÇÑ Speak outÀº ¡®°Å¸®³¦¾øÀÌ ¸»ÇÏ´Ù¡¯´Ù. Âü°í·Î ¼ö´ÙÀïÀÌ´Â ¡®chatterbox¡¯´Ù.
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